essays, studies & notations is a sound work which inspiration came/comes from the words/word/literature/philosophy – an accompaniment to readings and a consequence of those/that – illustrates in the form of a soundtrack also the method and act of writing – in the past, in the present > the rustling of leaves permeates some of the tracks, a rhythm found and recorded and adulterated by one’s hands and the ghosts of writers – mário de cesariny, allain robbe grillet, jean-pierre baylin, marquis de sade, yukio mishima, fernando pessoa, natália correia, al berto, miguel rovisco, william burroughs > the machines are but excuses for echoing obsessions and stigmata’s – the body is the music and the instruments the words that sound elongated and perennial as all/everything > abuse of echo and delay is of purpose / on purpose: decay music, decaying words – decayed world: liquid masses viscous invading chords and caves on an infinite beach > images come from films, fassbinder, wenders, tarkovsky, manoel de oliveira, bela tarr: echoes and reverbed nostalgia across the spectrum of words and glimpses of dreams and nightmares > the nature of altruism comes in diverse shapes and names:
c.cu, phirnis, bipolarbeats, james mccall, inicolabug, oorlab, fvm aka mochka, das sombreros, etc, but especially through the pulse and richness of synopsis decay – thank you all >
tari & the blind shaman (the two extra tracks) are illustrations to/for/from ‘the tallow moons’, unfinished business that demands better writing and devotion, but time devours by its intricacies – a sample chapter is available to those who choose to download the whole album (comes as extra material – bonus) > works and worlds in progress, via da shang in africa and gobi > sound cut-ups and alliterations of desire without angels and mirages: utopia constructing itself slowly, deforming the reality and rules >
symbiotic eerohz is a non-musician based in london and produces materials for the catalogue of wonders >
released 21 March 2011
found objects, effects, percussion, synthesisers, electric guitar, prepared acoustic guitar, field recordings, turntables, samples, mix, recording & production by eerohz @ the naked lizard lounge between 2007 & 2011 >
essays, studies & notations is number cata13 on the serendipitous and bestial series > other sound objects d’art can be found all over the world: bandcamp & all the major digital stores: an-men, pieter hurst, kalliban x, bêdeux, eerohz, protyv, synopsis decay, heinali, phirnis, limnul, bipolarbeats,
c.cu, damjan cvetckov-dimitrov, ainst, inicolabug, king ubuprofane, eerohz, james mccall, das sombreros, sardónico, labarome, oorlab, fvm aka mochka > avanti, marinaio!
all photography by eerohz > sleeve design by wassily blossfeldt (for w.b. industries) >
(c)+(p) 2011 catalogue of wonders (arts) llp, london, the copyright in these graphic materials, texts and sound recordings are owned by eerohz under exclusive licence to catalogue of wonders (arts) llp >